This course is cross-listed with Urban Studies 350. Courses are organized by subject and include courses at the undergraduate and graduate levels. If the course appears open, but you are told you cannot register, no permits will be granted as the remaining seats have been reserved for LPS students. A button on a sweater flashes us back to a day of gift giving. We have a course Piazza page. The Arts and Popular Culture: Creativity, Self-Invention and the Music of Bruce Springsteen Any questions about this class can be sent to me at kwatters@sas.upenn.edu, Creative Writing Program This workshop is for students interested in using popular science writing to broaden public understanding of such questions. This course is cross-listed with Comparative Literature. English 169.301 EALC 003-401 (Introduction To Korean Civilization), taught by Dahye Kim; In 2017, the world witnessed a profound aspiration for national reconciliation and possible future … Here’s a chance to write your way to understanding, clarity and resonance. Department of History College Hall 208 University of Pennsylvania Philadelphia, PA 19104-6379. history-dept@sas.upenn.edu 215-898-8452 Antonio Feros Writers in the class will take cues from a myriad of experimental playwrights and performance artists who have challenged conventional ideas of what a script should look and sound like. Other approaches to the project, however, will certainly be considered. We will consider what it means to be a writer today and make connections between readings, writers, and across genres. ENGL 392-401 Topics Film Studies: Cinema and Politics ENGL 392-401 Courses for Spring 2021 Please note that the Advance Registration Period for Spring 2021 is November 30–December 7. The group will meet at to-be-determined intervals. Rip, Remix, Burn: Music as Poetry/Poetry as Music The course will, in part, take its shape based on the interests of the students who enroll in it. This listing is current as of October 26, 2020 and is subject to change. In between, the enrollees will be pairing off and in effect serving as each other’s editor and coach and fellow (sister) struggler. This is not an all-encompassing list. Civil dialogue is an aspiration, a theory and a practice—and one of the most misunderstood terms in … We’ve updated our Social Impact Courses page so that Penn and Wharton students can explore and find a course that matches their interests for the Spring 2021 semester. Any questions about this class can be sent to me at, College of Liberal and Professional Studies, Intro to Creative Writing: Memoir and Creative Nonfiction, Intro to Creative Writing: Poetry and Essay, Intro to Creative Writing: Speculative Pasts and Futures, Intro to Creative Writing: Fact and Faction, Intro to Creative Writing: Imitations and Writing in Form, Rip, Remix, Burn: Music as Poetry/Poetry as Music, The Translation of Poetry/The Poetry of Translation, Is This Really Happening? Goldsmith Screenwriting A creative writing course built entirely around the use of photographs, and the crafting of compelling nonfiction narratives from them. Pepper to Karlheinz Stockhausen to Kanye West—as the basis for new forms of page-based poetry and prose. So much of what we know about cities comes from the stories we tell about them. In this nonfiction workshop you will enlist essay and memoir genres to explore connections between the personal and the universal: in other words, your experience matters … but why? Course requirements are a novella outline, a novella draft of approximate 40-50 pages, and final revisions. Several longer essays and a handful of shorter ones that will be generated by guided freewrites. In essence, this is a kind of master course, limited in enrollment, and devoted to, This advanced course in writing about the arts and popular culture (interpreted broadly) is limited in enrollment and focuses on a semester-long project that each student defines in consultation with the instructor. For one, we employ the same devices that we already use to navigate our way through the world—that of our senses. English 010.301 Intro to Creative Writing: Memoir and Creative Nonfiction Carmen Maria Machado R 10:30-12:00 A journalist at The New Yorker once said that a writer’s relationship with the profile subject is “a kind of love affair”—but, on the other hand, a famous author once said that a profile writer is typically “gaining their trust and betraying without remorse.” Which is closer to the truth? How can we capture character in the lightest of brushstrokes? creativewriting@writing.upenn.edu, Julia Bloch Contact. Performance, a chaotic and unruly category that slides across music, dance, theater and visual art, has long been a container for resistant actions/activities that bring aesthetics and politics into dynamic dialogue. This course will incorporate a mix of synchronous and asynchronous elements. To locate the strange, evocative, storytelling universes that are sealed inside the four rectangular walls of a photograph. In the words of Marc Weingarten, who authored a book about the original New Journalists (The Gang that Wouldn’t Write Straight), they’ve all aspired to practice “journalism that reads like fiction” yet “rings with the truth of reported fact.”. How good are yours? Office hours: By appointment. We will even be using pictures that were just made by the workshop participants outside the campus gates with a disposable camera from CVS or with their own sophisticated digital Nikon. Students will be introduced to the craft of writing through discussions of genres, styles, techniques and themes. R 1:30-3:00. This course works around the idea of imitation as a way of constructing generative practices of writing by setting limitations. Each student should, by the end of the semester, have at least thirty pages of a screenplay completed. English 010.302 The class will embrace the use of technologies such as file-sharing, audio editing software, social media, and streaming platforms as tools for ripping, remixing and burning your poems. The hybrid educational experiences for all students in the spring are likely to be similar to this fall: most classes will be delivered remotely, with limited exceptions, including courses with clinical experiences and in-person research required for graduation. The more personal a story, the more intimately told, the more universal it becomes. In this course, students will write scripts for theater and performance. Permit from the instructor is required. It is a kind of freeze-frame of eternity. English 010.307 We will read essays, manifestos, theater and fiction as well as view films that will hopefully inspire each student to develop texts and scripts of hope. The class will do some analytic and critical writing, of course. It’s about the quality of your noticing, the intensity of your seeing. This course is cross-listed with Science, Technology, and Society 118. On the other hand, is there sometimes a problem of having too much access? In this generative, interactive workshop we’ll investigate literary fiction technique through a series of directed prompts that will produce a portfolio of work ranging from fully realized stories to quirky experiments worthy of. A childhood book recalls the one who read the tale out loud. Writers working in all genres are welcome! What forms and genres does it require? But students who are so inclined will be encouraged to pursue their own creative work—which is to say that, in consultation with the instructor, short stories, songs, poems, plays, paintings, photography or videos inspired by Springsteen's songs will be acceptable projects to complete the course's requirements. When, and under what circumstance, should the writer insert his or her judgment/voice into the profile story? In this class we’ll explore the moments of our lives through prompts that range from the tactile to the auditory, the documented to the whispered. This class is designed to help students shape the stories they want to tell--stories that come from the experiences and imagination of the individual writer. *Academic credit is defined by the University of Pennsylvania as a course unit (c.u.). For important registration dates and deadlines, see the LPS Academic Calendar. The following information will introduce you to what is new in Canvas for Spring 2021: New Tools & FeaturesCourse Development, Design, & ManagementAssignments & GradingAccount Settings & PreferencesQuestions? Storytelling in Fiction and Creative Nonfiction The class will be part discussion-based seminar and part peer-review writing workshop. This course will incorporate a mix of synchronous and asynchronous components. T 5:00-8:00. Kastner 1600-1750) considered in their historical and social contexts of production, transmission, and reception. English 158.401 Speculating about what the future might hold has long been a strategy employed by marginalized people to imagine other ways of negotiating present dispossession. For Spring 2021, the public lectures, presentations, performances and class meetings will be adjusted to protocols and current conditions necessitated by the COVID-19 pandemic. English 113.301 This course will cover selected topics on anonymous communication systems and other privacy-preserving technologies. Course Description. Every student will write four stories during the semester; each story will be discussed by the group. Near Eastern Languages & Civilizations (NELC) 847 Williams Hall 255 South 36th Street University of Pennsylvania Philadelphia, PA 19104. “It has always existed, and always will exist; and no better evidence of its tenacious vigor can be cited than the impulse which now and then drives writers of totally opposite leanings to try their hands at it...as if to discharge from their minds certain phantasmal shapes which would otherwise haunt them.” Whether you’re a horror enthusiast, a scaredy-cat, a curious novice, or simply interested in discharging from your mind certain phantasmal shapes which would otherwise haunt you, I invite you to come and confront the darkness. Max Apple An essay? Writing from Photographs For models, we will read from a wide range of newspapers, magazines, and websites. This class is ideal for playwrights, performers, screenwriters, and writers of experimental fiction. Note that all classes will be recorded, with content made available asynchronously. This class is ideal for playwrights, performers, screenwriters, and writers of experimental fiction. *Academic credit is defined by the University of Pennsylvania as a course unit (c.u.). How can we efficiently create a sense of world and fullness? This course takes the-city-in-stories as both our subject and our muse. How does identity impact the way we represent, experience, and define what’s ordinary? We will revise aggressively. Spring 2021 FAQs: For up-to-date information, please remember to check the Wharton Undergraduate Spring 2021 FAQ and the Penn COVID-19 Response website. Are you a friend, a confidante, or a manipulator? This is a third. Do you tape the interviews or just take notes? For more information, see the guide to Course Numbering and Academic Credit at the University of Pennsylvania. Second, students will develop their own idea for a television series which will culminate in the writing of the first 30 pages of an original television pilot. How can the imitation of literary forms be a way into improving your writing? Phone: 215-898-1782 Josephine Park Department of English University of Pennsylvania Fisher-Bennett Hall, room 127 3340 Walnut Street Philadelphia, PA, 19104-6273 Phone: (215) 898-7341 To find the one that's right for you, search our online database of courses or browse by the type of courses offered. English 115.301 It could be a profile of a person or place. English 010.301    Intro to Creative Writing: Memoir and Creative Nonfiction    Carmen Maria Machado   R 10:30-12:00  A Summer Alternative: The Wharton experience is all about applied learning and going beyond the classroom to reinforce theory. Spring 2021 Undergraduate Courses. We will study multiple translations of major poems and render our own versions in response. M 6:30-9:30. Please reach out to the instructor if you have any questions or need further clarification. Visiting undergraduate students are permitted to enroll in courses that are level 499 and below. Emphasis will be on revision, camaraderie, and surprise. This course is cross-listed with Comparative Literature. Spring 2021 The goal of this course is to help students develop concepts, tools, dispositions and skills that will help them engage productively in the ongoing experiment of American democracy. There is much confusion about science and technology as reported in the press. How can you best structure a profile in order to keep the reader’s attention? How can we write the ordinary—how can we live in it as writers? This class will survey all types of music, from pop to rap to classical to experimental sound poetry— From Duke Ellington to Sgt. W 2:00-5:00. We’ll read a range of moving verse and prose by some of the most exciting contemporary writers as well as by classic figures in literature. This course is cross-listed with Theatre Arts 116. Most of these will be revised at least once. DeMarco Van Cleve R 1:30-3:30. José Esteban Muñoz argues that “queerness is always in the horizon”; Kara Keeling argues that “‘Black futures’ requires acting as if that other world were here now”; Bill McKibben argued in the late 1980s of climate change that “our reassuring sense of a timeless future, which is drawn from that apparently bottomless well of the past, is a delusion.” Speculation is key to fiction, poetry, drama, and hybrid creative work that seeks to imagine other worlds, but also to work that consider other ways this world could be or might have been. To access previous course syllabi, please visit Syllabi@Wharton.. Intro to Creative Writing: Poetry and Essay Department of History College Hall 208 University of Pennsylvania Philadelphia, PA 19104-6379. history-dept@sas.upenn.edu 215-898-8452 Antonio Feros We will update this web page daily if any changes in course status occur. We will be taking things from yesterday’s newspaper. Theatre Arts Program. A photograph represents time stopped in a box.